Personal Effects Gettin' Trippy on the Scorgie's Stage, 1983
Seems like when I DO have the rare opportunity to Blog on "Drew-Who: Boston Rock Stories" the topic has often been something that didn't happen in Boston. This posting, like a few others, pre-dates me living here in The Hub. It's funny how your recollections reach farther and farther back as you get older.
In the ealy '80s, I was immersed in the Rochester, NY New Music scene. "Rochester, NY," you may ask, "What ever happened there?" Well, for a few brightly burning years Rochester had an underground music scene as important and vibrant as any in the US, or even Europe for that matter. It was a perfect place for a 20-year-old college kid like me.
The bands that blazed were New Math, The Chesterfield Kings, Personal Effects, The PressTones, Absolute Grey, The Cliches, and many others.
Ground Zero for this scene was a old night-club called Scorgie's. Scorgie's was the CBGB or The Rat of Rochester. Like Boston's Rat, it was a bar upstairs, and the stage was down in the low-ceiling cellar. In fact, NY and Boston acts like Willie Alexander, Johnny Thunders and even The Ramones played Scorgie's. The Cramps, Rockats, Go Go's, Bangles and many others played at Scorgie's, too. The bar became a major stop on the "underground railroad" on which punk and new wave bands toured. It had a fantastic stage with great lights and a sound-system that blew away the ones at CB's and The Rat. Another plus was that the drinking age was 18 back then, which really helped the scene thrive.
One of the bands that resided at Scorgie's (and I say "resided" because they played there at least monthly for years) was Personal Effects. The singer for Personal Effects was a muse and multi-instrumentalist by the name of Peggi Fornier. She and her husband Paul Dodd wrote and directed PE's journey in to an arty, trippy kind of boho-rock where space-delayed saxophone and tremulous keyboards floated from a smoky stage. The show itself was filled with lights and projected images. It was like an Andy Warhol art-loft show, 1980's version. Funny thing was, about 4 years before Personal Effects emerged, Peggi Fornier had been my high-school Spanish teacher. Yes! And she was not a fan of me - and deservedly so. But that's another story. So naturally, I wanted to see what her band was all about. I became a huge fan, ultimately attending the release party for their debut EP, just prior to departing Rochester for good in 1983.
So here we are today (25 years on) living in the era of blogs and web-sites, where 40 and 50-somethings are rebuilding the past on-line, admittedly with a rose-tint to the view; a soft focus dailed-in by nostalgia. In 1994, Scorgie's went the way of CBGB's and The Rat, but it lives on today in cyberspace. There are dozens af blogs and sites related to the club and the early '80s Rochester Scene. (Let's face it, with Rochester weather being what it is, people have a lot of inside time to blog about the past). Last November, a genuine Scorgie's Reunion took place in Rochester, and even Kevin Patrick, for decades now a major-label A&R guru*, returned to reprise his role as lead singer of New Math. CORRECTION (per Peggi Fournier): Another singer stood-in for Kevin, channeling him astonishingly well.
Here's a Scorgie's Hub Site from where you can navigate to many other Rochester 80's sites, including current sites by the bands themselves. Scorgie's Blog
Personal Effects Video, "Low Riders" filmed at Scorgie's 1983
New Math Back Then
New Math Now (at Scorgie's Reunion, 2008)
* A funny side-bar: When I was working on Heretix' Island Records sessions in '88 and '89, Keven Patrick was the A&R guy. He was on the phone with the studio every day checking on progress and making sure we were sending daily DAT roughs of our work.
